School of Music Visiting Artist
Vic Rawlings employs a still and unstable sound language that traverses from visceral excess to extreme austerity. He has designed and built two separate instruments to realize this aesthetic, including extensive and invasive cello preparations, some directly based on obscure baroque instrumentation. The amplified cello is used as a resonant wooden microphone. He also continually develops an electronic instrument from the exposed circuit boards of sound processors, effectively producing an analog synthesizer with a highly unstable interface. This electronic instrument is realized by a flexible array of exposed speaker elements, chosen for their often unpredictable and idiosyncratic acoustic qualities. His solo performances deny conventional assumptions about the use of time and refuse alliance with dominant trends in improvised music.