REDCAT: “With stunningly rich and complex visual images, Rísquez’ films eschew all dialogue yet present a coherent and critical reinterpretation of Venezuelan history.” —Ana M. López
In Person: Diego Rísquez
In the 1980s, the multifaceted artist, painter and filmmaker from Venezuela, Diego Rísquez, undertook the daunting project of a trilogy about the real and mythical histories of the Latin American continent and made his first feature film: Bolivar, Tropikal Symphony, which became the first Super 8 film to be selected for the Directors’ Fortnight at the Cannes Film Festival. Amérika, TerraIncógnita, originally shot in Super 16mm and later blown up to 35mm, is composed like tableaux vivants offering a visual journey into the reverse perspective of European colonialism—the journey of a captive Indian into the Spanish court.
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