Combining a year of full-time study in residence followed by a low-residency year, Aesthetics and Politics is a program in critical theory and cultural studies that focuses on the political and aesthetic dimensions of social phenomena. Over the course of the program, you’ll participate in a series of compelling courses in political and aesthetic theory; technology and media studies; contemporary Black thought; feminist, gender, and sexuality studies; and urban studies.
Students may also take elective courses throughout the Institute, benefiting from CalArts’ interdisciplinary arts environment and our enduring legacy as a hotbed of conceptual, political, and often radical art.
Your peers in the program are likely to include artists and activists who wish to grow the conceptual and critical dimensions of their practices; political science and history graduates who find themselves drawn to art and aesthetics; mid-career professionals seeking to develop their thinking in new directions, and emerging scholars building a portfolio for further graduate study. Our alums have gone on to careers in the arts, curatorial positions, posts in arts administration, and further study in law school and PhD programs in visual culture, architectural theory, comparative literature, cinema studies, anthropology, and media studies, among others.
Each student is assigned a mentor from among our dynamic faculty, whose work is situated around the aesthetics-and politics-nexus. Faculty publications and courses engage with a range of subjects, including: political theory, democratic theory, and Latin American literature; anti-Blackness, policing, and settler-colonial nationalism; sovereignty, vulnerability, and biopolitics; art theory, literary theory and music philosophy; radical politics, pessimism, and the afterlives of media technologies; trans/queer futures, auto/self-theorization, and critical pedagogies; scripted spaces, urban erasure, and the archaeology of the present; political and aesthetic theories of autonomy; art’s role in struggle; and the critique of arts institutions and arts pedagogy.
The lively, ongoing conversation within the program is expanded by our Critical Discourse in the Arts Lecture Series and Theorist in Residence sessions, which give students direct access to a diverse cross-section of scholars and theorists working on relevant questions. Past guests include Jacques Rancière, Gayatri Chakravorty Spivak, Judith Butler, Fred Moten, Lauren Berlant, N.Katherine Hayles, Jasbir Puar, McKenzie Wark, and Denise Ferreira da Silva, among many others.
The program begins with an intensive and transformative first year of in-person study, followed by a low-residency year devoted to developing and producing an original master’s thesis in close conversation with your mentor and other faculty. Your thesis can serve as a writing sample for further graduate study, a first draft of a published manuscript, or a crystallization of critical and artistic vision that will feed your lifelong practice. Recent thesis topics include: What is “Radicality”?: The Aesthetics and Politics of the “L.A. School” of Architecture; Apparatus and Earth: A Study of Cinema in the Anthropocene; and A Sense of Horizon: Castoriadian Thought and the Political Experiment at Black Mountain College.