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A woman sings into a microphone while holding one arm outstretched. Light from a projector streams toward her in a darkened space.

As a student of Experimental Pop & Electronic Music Production, you’ll join a community of experimentally minded composers, performers, and producers who use the recording studio as an instrument to generate new work. You will be asked to take creative risks: to create disruptive sounds, use technology “incorrectly,” and incorporate improvisation and error into your artistic process. You’ll receive one-on-one studio-based instruction with program faculty, who are all active producers in the Los Angeles area—to help you develop your individual approach to creative sound production.

A four-person band plays on a pink-lit stage in a nightclub. The name of the club, Troubadour, is spelled out in blue neon behind them.

In an era of accelerating change across the spectrum of music, the Experimental Pop & Electronic Music Production program actively embraces our students’ individual interests and practices, encouraging you to fashion your own musical path as a performer-composer-producer dedicated to making new work and fully engaging as a musical artist within the broader context of an art school setting.

Promotional image showing several gramophone-shaped Grammy awards with the words “Grammy Nominations”

When you join our community of artists, you’ll benefit from the program’s unique location within the only accredited arts college in the United States that gathers the full range of visual and performing arts under one roof. You’ll have opportunities to pursue interests in performing and visual arts and film/video production and to apply your creative production skills to collaborative sound design projects with peers and faculty across the Institute.

Although the primary focus of the four-year BFA curriculum is on sonic innovation, you’ll also be encouraged to explore experimental pop and electronic music as inherently audio-visual forms (manifest in promo videos and visual albums, record artwork, performance style and costume) within a curriculum that encompasses music video production, sound design for the moving image, audiovisual performance, and composition for film, television and video games. 

As most contemporary Experimental Pop and Electronic Music artists operate within a do-it-yourself and release-it-yourself milieu, you’ll be encouraged to cultivate professional connections with contemporary artists, recording studios, and DIY entities beyond the CalArts campus—for example, by collaborating in remote production ensembles with musical artists from Uganda, Egypt, Japan, and Colombia, or pursuing mentor-supported internships with cooperatively run performance spaces, recording studios or independent record labels in the Los Angeles area.

All BFA programs in The Herb Alpert School of Music at CalArts offer a broad and rigorous general musical education alongside highly individualized lesson instruction and mentoring. All undergraduate students engage in intensive shared training in musical techniques and concepts spanning classical, jazz, popular, electronic, and experimental styles, and both Western and non-Western musical cultures. You will graduate with experience in creating original work, ensemble performance, music notation and theory, professional development, and artistic métiers outside of music.
 

  • Experimental Pop students write, perform, record, and produce original work that transgresses the boundaries of established styles of popular music. Our curriculum fuses critical pop theory with creative practice through studio-based courses in recording, production and experimental composition, including songwriting, lyric writing, and vocal performance. Collaborative ensemble classes that culminate in both live performances and studio-based recording sessions offer opportunities for cross-pollination with experimental pop artists pursuing an eclectic range of practices. 

    Students perform in the 2026vEx-Pop showcase at CalArts
  • Electronic Music Production students compose, perform and produce new electronic musical forms using sampled and synthesized sound. Our curriculum offers studio-based workshops that incorporate outside-the-box analog and hardware-based techniques alongside explorations of DAW-based digital sound synthesis and manipulation. Collaborative ensemble classes that culminate in both live performances and studio-based recording sessions offer opportunities to integrate the acoustic with the electronic, the gestural with the automated, and the improvised with the programmed. 

    Student performing in the 2026 CalArts Ex-Pop Showcase

View our step-by-step application guide to learn more.

Admission requirements

To be considered for the BFA in Experimental Pop & Electronic Music Production, you must complete an application and all program-specific requirements, including a portfolio representative of your work, an artist statement, a brief video introduction, and two letters of recommendation. Before applying, please familiarize yourself with the detailed application requirements and resources available to assist you in this important process. 

View application requirements

Degree requirements

Each CalArts music student designs their course of study in collaboration with a faculty mentor, with the first two BFA years focused on building a strong foundation in music theory, performance, and diverse musical cultures, and the final two years dedicated to personalized exploration through specialized concentrations, creative projects, and individualized mentorship.

BFA Experimental Pop & Electronic Music Production academic requirements

In addition to work in your specific program, all undergraduate students must complete requirements in general education, which we call Critical Studies. This liberal arts curriculum is designed to enable students to consider aesthetic questions within larger socio-cultural, ethical, and political contexts.  

Critical Studies requirements

Minors and interdisciplinary opportunities

CalArts offers students the chance to pursue additional interests alongside your chosen discipline, such as a minor in Music Theory, Creative Computing, or Arts Education.

Learn more about minors and interdisciplinary opportunities 

Courses you might take

What courses would you take as a BFA Experimental Pop & Electronic Music Production student? Here’s what we’re offering at CalArts:

  • The Art of Recording
  • The Art of the Mix
  • Composing Experimental Pop
  • Studies in Experimental Pop, Avant-Rock, and Noise
  • DIY
  • Production as Composition: The Studio as Instrument
  • Global Studios and Audiotopias
  • Audio-Visual Theory and Practice
  • Making Music Videos
  • Learning to Scream
  • The Elastic Voice
  • Sonic Collage
  • Hip-Hop Theory and Praxis
  • History of Electronic Dance Music
  • Songwriting and Analysis

School of Music courses

At CalArts, faculty and students are collaborators, teaching, learning, and working together as members of our community of artists.

  • Benjamin Wynn (Deru): Emmy Award-winning composer, sound designer, electronic music producer
  • Greg Kurstin (BFA 92): record producer, instrumentalist
  • Zachary Ilya Ezrin (Imperial Triumphant): guitarist
  • John Maus: composer, singer, songwriter
  • Julia Holter: singer-songwriter, record producer, composer, artist, academic
  • Kristin Erickson (Kevin Blechdom): electronic musician, performance artist
  • Roger Miller (Mission of Burma): singer, songwriter, guitarist, fiddler, drummer, Broadway composer

More School of Music alumni

Check out this playlist, which showcases the cutting-edge creative work produced, performed, and written by the faculty of Experimental Pop and Creative Production. It’s a tour through the diverse sounds of our instructors, featuring everyone from electronic innovators like Laurel Halo and John Tejada to boundary-pushing producers like Jake Viator and Emily Evans.

CalArts Faculty member John Baffa sits in the recording studio.

Ever-shifting orchestration envelops shards of meditative lyrical fragments in Something in the Room She Moves, the sixth studio album by composer, singer-songwriter, multi-instrumentalist, and CalArts alum Julia Holter.

  • Performance School of Music

    The 2026 Experiments in Electronic Sound offers a platform for musicians and artists whose works…

    Thu, Sep 24 / 8:00 PM - Sat, Sep 26 / 9:30 PM

    CalArts Campus

  • Performance School of Music

    Aria for the Elements is a visual score woven from a pareidolic experience of browsing…

    Sun, Sep 27 / 12:00 PM - Sat, Oct 3 / 8:00 PM

    CalArts Campus

  • Lecture / Reading School of Music

    Visiting Artist Miguel Atwood-Ferguson joins for the Jazz forum class!

    Mon, Sep 28 / 1:00 PM - 2:30 PM

    CalArts Campus

We got you. Our Admissions team is all about providing the information you need to decide if CalArts is right for you. We’re excited to connect with you for a tour of our legendary campus, a virtual info session, or at one of our admissions events across the country or around the world. Take the next step—we’re here to help.