February 15, 2013
Los Angeles Times
By Gina McIntyre
It was only Wednesday, but sitting at a small table in the restaurant at the Chateau Marmont, Tim Burton looked a little defeated by the week, and not simply because of the sling supporting his arm. A fall in London in December fractured his shoulder — a nasty injury that he said will likely limit his range of motion for about a year — but it was a recent bout of Hollywood glad-handing that had the filmmaker most excited to return to his home in England.
Two days earlier, Burton had attended the Oscar nominees luncheon – his most recent film, “Frankenweenie,” is up for the Academy Award in the animated feature category. That evening, he’d appeared at the American Cinematheque for a screening of the movie, a black-and-white love letter to Universal horror films and his Burbank youth, along with an earlier stop-motion project, 2005’s “Corpse Bride.”
Those kinds of public appearances aren’t easy for the filmmaker: “I’m not a very social person, I’m quite sort of reserved,” he said, awkwardly attempting to stir his green tea.
Read More