- Sound Design Faculty
- Technical Direction - Statical Engineering
- Voice/Speech
- Head of Scene Design
- Acting
- Voice
- Head of Video Design
- Head of MFA Acting
- Lighting Design
- Sound Design Faculty
- Head of Technical Direction
- Movement
- Costume Design
- Theater History
- Theater History/Dramaturgy
- Technology|Communication Assistant
- Co-Head of BFA Acting
- Director, Cotsen Center for Puppetry and the Arts
- Sound Design Faculty
- Head of Sound Design/Assistant Dean, Enrollment Manager
- Head of Scene Painting/Recruitment Manager
- Dramaturgy
- Head of Lighting Design
- Associate Director of Performance for Acting
- Production Manager
- Head of Writing for Performance
- Directing/Screenwriting/Film
- Associate Costume Shop Manager/ Head Draper
- Associate Head, MFA Acting/Voice
- Interim Co-Dean, School of Theater | Head of Design | Head of Costume Program | Robert Corrigan Chair in The School Of Theater
- Stage Management
- Video Design Faculty
- Costume Shop Manager
- Acting
- Director of Design and Production|Head of Producing|Producing Director, Center for New Performance
- Director of Performance | Head of Directing | Artistic Director, Center for New Performance
- Acting
- Arts and Social Justice
- Design Technology/ Facilities Coordinator
- Puppetry
- Scene Design
- Film Producing/Management
- Interim Co-Dean, School of Theater | Managing Director, Center for New Performance | Producing Faculty
- Associate Technical Director
- T'ai Chi Chuan
- Movement
- Voice/Speech
- Assistant Dean|Head of Management|General Manager
With careers that straddle musical theatre, major concert touring, opera, dance, and branding ‘experience’ this talented pair (with wife Colleen) seeks to weave light, image, and architecture into production design that imprints itself permanently in the psyche... Recent credits include the Video and Production designs for Nickelback’s All The Right Reasons World Tour; Multimedia Design for Sinatra Live at the London Palladium; Scenic Video Design for Grammy Winning rockers 3 Doors Down’s 2005/2006 World Tour; Projection and Multimedia design for the World Premiere of the Opera Frobisher, at Calgary Opera; The award winning projection design for Wagner’s Parsifal at the Seattle Opera (2002 Projection Design of The Year Award); Video Content Design for Barry Manilow’s Emmy Award winning show, Music & Passion, at the Las Vegas Hilton; Production/Video/Lighting Design for the new breakout band, Cartel, in their Live DVD release. Additional credits include Burn The Floor - World Tour (Production Design); Victor/Victoria - National Tour (Lighting Design, also at Papermill Playhouse); Laurie Anderson’s Moby Dick World Tour (Lighting Direction); Godspell National Tour (Video Design); Footloose National Tour (Projection Design); The Music Of Andrew Lloyd Webber in Concert (Production/Video/Lighting Design) (2003 Triangle Award); Andrew Lloyd Webber’s Starlight Express Las Vegas (Lighting Direction); Andrew Lloyd Webber’s Evita (Las Vegas, Houston, and Tour Lighting & Projection Design) They have designed media shows and technology to control the world’s largest flat screen, in Beijing, constructed for the 2008 Olympic Games. They have designed large scale projection and media installations in architectural projects in Osaka, Tokyo, and Las Vegas. This year saw their epic scale design for Nokia Nseries “What Computers Have Become” structure at the Las Vegas Convention Center during the Consumer Electronics show. Bob and Colleen are on the faculty of The Theatre Department at The California Institute for the Arts, where they teach multimedia and projection design curriculum. They have been Contributing Editors for Entertainment Design Magazine, Lighting Dimensions, and are regular columnists in Live Design Magazine. Their production resource, MODE Studios is located in Seattle, WA. www.modestudios.com
- Member for
- 1 year 22 weeks
