The Walt Disney Family Museum Reexamines Alice in Wonderland with Contemporary Artist Camille Rose Garcia alongside works by Disney Legend Mary Blair
San Francisco, CA, (March 11, 2013) - The Walt Disney Family Museum is pleased to present the exhibition Camille Rose Garcia: Down the Rabbit Hole. On view from May 9 to November 3, 2013, the exhibition features some 40 works by Garcia alongside seven Alice in Wonderland concept paintings by Disney artist Mary Blair from the Museum's collection. Organized by guest curator Tere Romo, the exhibition celebrates not only Garcia and Blair's artistry across decades and artistic styles, but also the power of art to draw us into magical worlds that spark engagement and inspiration.
Jack Black, Seth Rogen, the Osbournes part of spring social scene
By Ellen Olivier
As the spring social season gets underway, make no mistake: Angelenos are generous with their support of good causes, and they certainly enjoy a good party. But nowadays, it takes more than a fancy dinner to attract a crowd.
The watchword for today’s fundraisers is “fun” — with “fresh” and “original” also part of the lexicon. This is especially true if the objective is to reach the up-and-coming younger demographic. The good news is that much of what’s ahead on L.A.’s social scene handily fits the bill.
Seth Rogen and his wife Lauren Miller, planning an event April 25 to raise their generation’s awareness of Alzheimer’s disease, realized that they needed to raise the fun factor by multiples. The result: “Hilarity for Charity,” conceived as an “anti-gala” filled with comedy, magic and music performances and with proceeds going to the Alzheimer's Assn.
For more than three decades, Lewis Klahr has been among the most prolific and original avant-garde film and video artists in America, producing over seventy-five works to date. A perennial presence in the New York Film Festival’s Views from the Avant-Garde, Klahr has shown as well in three Whitney Biennials (in 1991, 1995, and 2006) and at the International Film Festival Rotterdam; in 2010, his work was the subject of a retrospective at the Wexner Center for the Arts in Columbus, Ohio. A running loop of his films is currently on view at the Los Angeles County Museum of Art (through month’s end), and on March 9 and 10 the Museum of the Moving Image in New York will present a substantial program of his digital work, including The Pettifogger (2011), his first feature-length movie, and the world premiere of a new series, the “False Aging” trilogy (2008–12).
Though he has made live-action and found-footage films—mostly in the 1970s and ’80s—Klahr is best known for his cutout movies, in which appropriated images of people, objects, and places culled from a variety of sources are inserted and manipulated in front of the camera, all within an area no larger than a standard sheet of paper. While his films in this mode resemble what other practitioners have labeled “animated collages,” Klahr does not consider himself an animator. He conceives of the screen neither as a painter’s canvas nor as the illusionary three-dimensional field beloved of photography and mainstream cinema. Set against a two-dimensional plane, typically with little perspectival depth, his cutouts are not animated like traditional cartoons but maneuvered into place by hand, their interactions, entrances, and exits controlled moment by moment. Klahr exploits the flatness of his images, though their contextual positioning—e.g., small equals far, big near—often alludes to a “pretend” screen depth. Occasionally, his sound tracks suggest an aural dimension, evoking proximity or distance, but he prefers to keep sounds lo-fi to match the flatness of the visuals. Even popular songs played in their entirety—e.g., those of Frank Sinatra or the Velvet Underground—and excerpts from pieces by Igor Stravinsky or Alban Berg are often treated this way without diminishing their importance to a film’s meaning or mood.
pigs prey to piggishnesses. get ate from the rooter to the tooter. I’m a hog for you baby, I can’t get enough go the wolfish crooner. the gust buffeted porker roll in the hay or laid down in twig rapine. let me in, let me in.
no drum-gut, Stagger’s stomach a tenement: his deadeye bigger than his brick house. Stagger Lee live by the want and die by the noose, whose greedy void like a whorehouse full of empties getting full. can’t get enough!
rumored Stagger would root through pussy to plumb a fat boy. here piggy! what Lee see he seize. manful, ham-fisted. sorry Billy, your name mud and who love dirt like swine?
they get in it like a straw house. it’ll be cold out before Lee admit his squeals weren’t howls. he got down. he get dirty.
Anyone who wants to learn calculus, statistics or ancient Greek history can take free online courses in those subjects at a variety of sites from instructors with distinguished academic pedigrees. For more mundane pursuits, like learning how to paddleboard or build a planter box for the garden, there is an inexhaustible supply of free how-to videos on YouTube, eHow and other sites.
But if you’d like to watch a recording of a three-day course on the minutiae of photographing clients who commission high-end portraits of themselves in lingerie, that will cost $149 on a Web site called CreativeLive.
While companies like Udacity and Coursera — providers of giant online open courses — are just beginning to introduce courses with fees that count for academic credit, other online learning companies have carved out a lucrative niche in courses on design, photography and other creative pursuits. CreativeLive, Lynda.com and others have tapped into an audience of customers who are highly motivated to hone skills that might help enhance their careers. The online courses are usually less expensive than intensive in-person workshops on photography and other subjects, and can attract top-notch instructors with their promise of big national audiences. Read More.
The Middle’s Eden Sher Joins Disney’s Star And The Forces Of Evil as New Princess
March 9, 2013 Boomtron
By Brody Gibson
Somebody higher up at Disney must have taken a look at the success of Disney Junior’s Sofia the First and thought “We should try and replicate that, but this time target it toward an older audience.” More princess cartoons means more merchandise to buy at your local Disney store! While the motivation for wanting a new animated series is obvious, it’s a little out of the ordinary which series they recently greenlit. Star and the Forces of Evil (working title) came from the mind of young artist and writer Daron Nefcy. Usually big companies like Disney look for their next big series from more experienced writers.
Star and the Forces of Evil has a terrific concept, which explains why Disney would so readily grab at it from a youngster like Nefcy. It’s already got a voice-actor attached to play the lead of Princess Star Butterfly: The Middle’s Eden Sher. Deadline reported the series as being a comedy adventure about Star, the fun-loving magical teen princess from another dimension. Sounds pretty badass, yeah? After getting into a fight with some otherworldly creatures, her royal parents send her off to live with the Diaz family of Earth. Is it just me, or does this suddenly sound like a twisted version of The Fresh Prince of Bel Air? She inevitably takes their teenaged son Marco on adventures, battling evil villains in the universe and high school to protect Star’s powerful magic wand, which she hasn’t quite figured out how to use properly. Read More.
Disney Channel has ordered “Star and the Forces of Evil” (working title), an animated comedy adventure about a fun-loving magical teen princess from another dimension who — after a few bold skirmishes with other-worldly monsters — is sent by her Royal Parents to live with the Diaz family on Earth. Eden Sher (ABC’s “The Middle”) provides the voice of the lead character, Star Butterfly. Production has begun for a scheduled Fall 2014 premiere. The announcement was made today by Eric Coleman, Senior Vice President, Original Series, Disney Television Animation.
Artist and writer Daron Nefcy is the series creator and co-executive producer. She is a 2009 California Institute of the Arts (CalArts) graduate whose work has been showcased throughout the Los Angeles underground art community. Her television credits include recent work on Disney Channel’s upcoming animated series, “Wander Over Yonder,” and the Warner Bros. animated series “MAD.” Emmy and Annie Award-winning director Dave Wasson (“The Buzz on Maggie,” “Making Fiends”) is co-executive producer and director, and Annie Award-winning writer Jordana Arkin (“Melissa and Joey,” “Will & Grace”) is co-executive producer and story editor. Read More.
On Sunday March 10th, Filmforum is proud to present Thom Andersen’s most recent work, Reconversão (Reconversion), an essay on the architecture of Eduardo Souto de Moura. Thom Andersen will be present for a Q&A! “… an elegiac quest into the essence of Eduardo Souto de Moura’s architecture.” — Celluloid Liberation Front Reconversão portrays 17 buildings and projects by the Porto architect Eduardo Souto Moura, accompanied usually by his own writings. It is a search for his architecture, without critical commentary. Only the tour guide at Braga Stadium offers generalizations, which fit that work well enough, but it may be the exception, not the rule. Souto Moura has the last word: "If there is nothing there, I invent a preexistence." Technically, Reconversão combines the crudeness of proto-cinema with the hyperrealism of digital cinema, bringing us back to the ideals of Dziga Vertov.Shooting only one or two frames per second and animating the images, in the manner of Muybridge, produces greater resolution, although not necessarily a greater sense of reality, and brings attention to the movements of water and vegetation that generally pass unnoticed.
Renowned filmmaker and teacher Thom Anderson teaches film theory and history at the California Institute of the Arts. In the 90's, he served as programmer for LA Filmforum. Read More.
What did Alexander Mackendrick recommend every director do before shooting a scene?
By J. Ott
Director James Mangold was a pupil of the legendary filmmaker Alexander "Sandy" Mackendrick (The Ladykillers, Sweet Smell of Success) at CalArts. In a bonus feature on the Criterion disc for Sweet Smell of Success, Mangold talks about a key piece of advice that Mackendrick once gave him:
Disney Greenlights Daron Nefcy's Teenage Princess Series
By Thomas J. McLean
Disney has ordered a new animated series tentatively called Star and the Forces of Evil, created by Daron Nefcy and with Eden Sher of the sitcom The Middle on board to voice the lead, reports Deadline.com.
The series is a comedy-adventure series about the other-dimensional magical teen princess Star Butterfly, who is sent by her parents to live on Earth with the Diaz family, whose son she takes under her wings to stop evil villains and protect her magic wand.